The Octave -2 controls how much sub-harmonic content is generated 2 octaves below the dry content. The Octave -1 controls how much sub-harmonic content is generated 1 octave below the dry content. The use of the HI Range will give you more sub-harmonic content spread over Hz, where Low will give you sub-harmonic content from Hz. One thing to notice about the Smaart measurement of the Dry control is that the effected signal below the crossover point Hz in this example is slightly reduced. Dry controls how much of the original signal is left above the crossover point, which is set by the Range control. The Sub Octaver is only offered in a single configuration with separate channels for both A and B sides.
This is useful if you are wanting to provide more low end on a specific instrument as an effect. Today we are going to be looking at the Sub-Octaver.
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